Recommendations:
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Dear Helen, Thank you very much for that excellent coverage of the Munich Opernfestspiele you made possible. I think the regular visits of the major critics really help. I had an especially nice lunch with Alex Ross last Saturday. I think Munich is now seen as a champion’s league player in the American media. Many thanks again! |
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Dr. Ulrike Hessler Bayerische Staatsoper Leitendes Direktorium |
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| I would like to recommend to you Helen Kamioner who is the Director of Creative Consultants for the Arts. A press agent who works with knowledge of the medium and with a heart for her clients. I have just had the experience that she succeeded in a short span of time to get a major article in the Sunday New York Times, Associated Press, Reuters, internet music services, etc. It is truly with all my heart that I can recommend her. She does not take "no" for an answer and the you will enjoy the fruits of her labor. I do it with the knowledge that she is one in a million. | ||
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| Menahem Pressler | ||
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| Helen Kamioner is, to say it in a few words, the best PR person on the market. Not only has she the best contacts but she also makes good use of them for the benefit of the Artists she is working for. Where others fail, she succeeds because she has a vision which goes beyond the ordinary boundaries. | ||
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Matthias Vogt Artists' Manager |
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| Helen Kamioner is one of a rare handful of artist's press representatives who are at one and the same time knowledgeable about the artists they represent, the music and art forms that motivate and inspire them, and the types of stories and interviews that might actually interest me and my readers and listeners. Also a woman of great character, charm, intelligence, humor, and professionalism, I would recommend her services without reservation. | ||
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Andrew Patner Critic-at-large, WFMT Fine Arts Radio Contributing critic, Chicago Sun-Times contributor, OPERNWELT (Berlin) |
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| Helen Kamioner is no less than a miracle-worker. Her contacts in the media are unlimited and the respect of these media which she has so justly earned through her unwavering devotion to her clients result in a publicity machine without comparison. The publicity campaign she organized for my New York debut interviews on public radio, notices in TIME OUT NEW YORK and in OPERA NEWS were outstanding, and, the nex plus ultra, an interview with Matthew Gurewitsch which resulted in a two-page article with photos in the Sunday NEW YORK TIMES. | ||
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David Pittman-Jennings Baritone |
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Clients, Past and Present:
Arts Organizations
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- Bayerische Staatsoper, Munich and North America
- Beaux Arts Trio
- Menahem Pressler, Pianist
- Daniel Hope, Violin
- Antonio Meneses, Violoncello
- Leipzig Gewandhaus Orchestra, Leipzig, German (USA Tour)
- Bayerische Rundfunk Orchester, Munich, Germany (USA Tour)
- Staatskapelle Dresden, Dresden, Germany (USA Tour)
- Israel Chamber Orchestra
- Gil Shohat, Music Director
- Salzburg Marionetten, Austria and North America
- Tannery Ponds Concerts, Christian Steiner, Artistic Director
- Carmen in Sevilla, Seville, Spain and North America
- Kronberg Academy, Frankfurt, Germany (USA)
- Usedom Music Festival, Baltic Sea, Germany (USA)
| Daniel Hope, Violinist (DGG) | Ophra Yerushalmi, Pianist | Ariadne Daskalakis, Violinist | ||
| Joe's Pub, New York | Film Producer | Deutsche Philharmonie, Weimar | ||
| Metropolitan Museum of Art | Chopin and Liszt: Yin and Yang of Piano | Herkuslessaal, Munich | ||
| neil shicoff, tenor | marcello viotti, conductor | contess Renate Matuschka, Author | ||
| Metropolitan Opera | La Fenice, Bavarian Radio Orchestra | Zubin Mehta Biography | ||
| Vienna State Opera | New York Philharmonic, Metropolitan Opera | Amadeus Press, Publisher | ||
| philippe augin, conductor | michael boder, conductor | roberto scandiuzzi, bass | ||
| Los Angles Opera Center | San Francisco Opera | Metropolitan Opera | ||
| Nuremberg Opera, GMD | Bavarian State Opera | La Scala Opera | ||
| brenda boozer, mezzo-soprano | daniel müller-schott, violoncello | carlos guelphi, bass | ||
| Metropolitan Opera | Anne-Sophie Mutter Protégé | Metropolitan Opera | ||
| San Francisco Opera | Chicago Symphony Orchestra | Rome Opera | ||
| david pittman-jennings, baritone | chrisotpher alden, opera director | opera at the academy, NY | ||
| Santa Fe Opera | Lyric Opera of Chicago, ENO | Avant garde opera company affiliated | ||
| Liceu, Barcelona | New York City Opera | with Joseph Papp, NY Shakespeare Festival | ||
| françois le roux, baritone | doris soffel, mezzo-soprano | isadora duncan dance company | ||
| Paris Opera | Munich State Opera | New York Academy of Art | ||
| Covent Garden | L.A. Opera Center | |||
| stephanie friede, soprano | angela lee, violoncello | childrens opera theater | ||
| Berlin State Opera | Alice Tully Hall | Not-for-profit in-school touring opera | ||
| Zurich Opera | Yale University | with Washington Performing Arts Society | ||
| constance hauman, soprano | david dubal, pianist, author, lecturer | millennial arts productions, NYC | ||
| Covent Garden, Jewish Museum, Berlin | Professor at Juilliard School of Music | Documentary about Neil Shicoff | ||
| Royal Danish Opera, L.A. Opera Center | Radio Broadcaster | Amsterdam Early Music Festival |
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